From airplane crashes to railway disasters, some of us meet a spectacular end while others fall prey to hungry wildlife predators, an assassin's bullet, or - as in the case of some condemned prisoners - get strapped into the electric chair and blasted into the afterlife with over 2000 volts of pure electricity. There's simply no escape from the encroaching darkness, and in this film we're offered a firsthand glimpse at the many ways that life can end. Everybody dies - it's the fate we all face from the moment we're born. Francis Gross (Michael Carr) leads viewers on a guided exploration of that fateful moment when the spark of life is brutally snuffed out. The filmmaker's strong identification with one side of a labor struggle doesn't make for a balanced historical record, but it did provide the right stuff for a powerfully dramatic film.Įxperience the ultimate in cinematic shock and horror as Dr. The miners eventually win a new contract, though it turns out that some of the benefits they had fought for were not included in the final deal. The miners are determined to join the United Mine Workers, and the company is determined to break the strike with scabs, who are even more desperate than the men with jobs. ![]() Kopple's camera focuses on the desperate plight of people still living in shacks with no indoor plumbing and working dangerous jobs with little security and few safety rules. Kopple lived among the miners and their families off and on during the four years the entire story played out, and it's clear in every frame of the film that her sympathies lie with the miners and not their bosses at Eastover Mining, owned by Duke Power Company. Director Barbara Kopple's look at a 13-month coal miners' strike that took place between 19 in Harlan County, KY, is one of the great films about labor troubles, though not for a sense of objectivity.
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